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Live Review: Illenium Rises From the Ashes
by Noor Mchallah Photo courtesy of Noor Mchallah “It’s unavoidable, just happens. When you grow up your heart dies.” “Who cares?” “I...


In Conversation With: Ken Field of HONK! Festival
by Kaylie Felsberg Photo courtesy of Flickr 14 years ago, the Second Line Social Aid & Pleasure Society Brass Band was born in Somerville...


Live Review: Bastille Goes Full Apocalyptic
by Yi-Wen Wong Photo courtesy of Yi-Wen Wong On September 17, Bastille arrived at the Rockland Trust Bank Pavilion in Boston for the...


Bethlehem Steel's Anxiety Driven Rock
by Kaylie Felsberg Photo courtesy of Bethlehem Steel's Facebook page The New York-based Bethlehem Steel have been dubbed the ‘Whatever...


Review: Japanese Breakfast Delivers a Danceable Energy
by Rhoda Yun photography courtesy of Rhoda Yun Following an underwhelming search for good Korean food in Boston, Michelle Zauner...


Blythe Schulte Has A Secondary Sense in Music
by Alexandra Evans photography courtesy of Blythe Schulte's Instagram At the age of five, Blythe Schulte stood up and walked across the...


Jess Glynne The Captivator
by Yi-Wen Wong photography courtesy of Yi-Wen Wong On April 1st, Jess Glynne took the stage at the House of Blues in Boston as the fifth...


Up Next: Natalie Shay, A Vibrant Songbird
by Kaylie Felsberg photography courtesy of Natalie Shay Facebook The general trend over the past couple of years for singers,...


A "Stranger" No More
by Austin Pak photography courtesy of Sigrid Instagram Sigrid, a singer and songwriter from Norway, finally released her debut album...


Up Next
by Kaylie Felsberg photography courtesy of Shervin Lainez “I was able to start making the music I wanted. Max and Spencer were a huge...
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